For the first time this celebrated concerto will now appear in a source-critical edition. Ullrich Scheideler depicts how the work evolved, describes its sources, and comments on the musical text. The well-known violinist Igor Ozim has marked up Mendelssohn’s approved violin part, adding fingering and bowing marks as an aid to today’s performers. He has also supplied a separate commentary showing that Mendelssohn’s autograph already contains useful suggestions for shaping the solo part. The piano reduction – a revised version of the one that accompanied the first edition – lies well under the fingers while remaining as faithful as possible to the original text.
這首著名的協奏曲將首次以權威版本面世。烏爾里希·謝德勒(Ullrich Scheideler)描繪了作品的演變歷程,闡述了其創作來源,並對樂譜進行了評論。著名小提琴家伊戈爾·奧齊姆(Igor Ozim)在門德爾松認可的小提琴譜上標註了指法和弓法標記,以方便當代演奏者演奏。他也撰寫了單獨的評註,指出孟德爾頌的親筆手稿中已包含對獨奏部分進行潤飾的實用建議。鋼琴縮編譜——是首版所附縮編譜的修訂版——在盡可能忠於原文的同時,也便於演奏。