滿399 超商/宅配 即可免運

G大調第三號協奏曲擴大的樂曲規模、精確的技巧及樂曲表現突飛猛進的發展，可見強烈的法國風色彩，令人注目，莫札特首次在樂曲中建立主奏樂器與管弦樂之間的對話性格，表現強烈的自我風格，被稱為「斯特拉斯堡」協奏曲。小提琴分譜+鋼琴伴奏譜。

This piano reduction of Mozart’s G major violin concerto comes with two solo parts. One violin part gives players the Urtext of the “New Mozart Edition”. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.

The second violin part is a prepared performance part and offers bowings, fingerings and performance practice comments.

An original cadenza by Mozart to this work has not come down to us. Therefore, a booklet is inserted which assembles cadenzas, "Eingänge" and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst. This collection provides players with a spectrum of styles available in no other publication.

The piano reduction of the orchestral score is comfortable to play, uncluttered and practical. Solo parts and piano reduction appear with page turns where you need them and with fold-out pages where necessary.