滿399 超商/宅配 即可免運

These piano studies, fully worked out in summer 1848, but presumably sketched earlier, were published in the German original edition at the beginning of 1849 simply with the numbering 1–3. In the first French edition published at the end of that year, they were given the new title “Trois Caprices poétiques” – possibly at the publisher’s request – and also received the characteristic individual titles “Il lamento”, “La leggierezza” and “Un sospiro”, which have remained for these pieces that are still popular today. In comparison with the early studies, in which the purely technical performing aspect is to the fore, the idea of poetic sound is at the heart of these compositions, which were clearly written for concert performance. For this revised version, several newly-discovered or newly-available sources were available, including the autograph which served as the engraver’s copy.
這些鋼琴練習曲於1848年夏季完成，但據推測其草稿創作於更早時期。 1849年初，德文原版出版，僅以編號1至3呈現。在同年年底出版的法文首版中，它們被賦予了新的標題“Trois Caprices poétiques”（三首詩意隨想曲）——這或許是應出版商的要求——並分別賦予了它們各自獨特的標題“Il lamento”（哀嘆）、“La leggierezza”（so盈）和“Un spiro”（Un far，這些標題至今，並一直沿用至今，並一直廣。與早期練習曲著重於純粹的演奏技巧不同，這些作品的核心在於詩意的音響效果，顯然是為音樂會演奏而作。此次修訂版的出版得益於一些新發現或新近獲得的資料，其中包括作為雕版師手稿的作者親筆手稿。