關於作者... 4
致謝... 5
前言... 6
VOLUME ONE
① 第一章
如何讀譜 Reading Music in This Book.............8
拍值與節奏記號 Timing And Rhythm Notation........................9
小調五聲音階 The Minor Pentatonic Scale....10
拋弦與勾弦 The Hammer-On and Pull-Off.......................11
全音程推弦 The Two-Fret Bend......................12
搖滾經典技法 Rock Cliches.............................14
左手顫音奏法 Finger Vibrato...........................15
休止符 Rests................................................15
重組強拍位置的“節奏性主奏模式” Rhythmic Patterns.........................................16
小調五聲音階的即興重複樂段 Minor Pentatonic Riffs...................................17
特殊音 Special Articulations...........................18
利用特殊音演奏即興重複樂段 Riffs Using the Special Articulation ..............19
獨奏曲例:Open Fire (Solo #1).....................20
② 第二章
第六弦上的音符 Notes on the Sixth String......21
調性轉換 Changing Keys...............................21
高八度音把位 The Octave Form.....................22
斜型模式 The Diagonal Form..........................22
上下交替撥弦技法與十六分音符 Alternate Picking and Sixteenth Notes.........23
速度練習 Speed Exercises..............................25
獨奏曲例:To The Stage (Solo #2)...............26
③ 第三章
藍調音階 The Blues Scale.............................27
半音程推弦 The One-Fret Bend ......................27
三連音 Triplets..............................................28
特殊音 Special Articulations...........................30
四分音符三連音 Quarter Note Triplets...........31
即興與樂句 Improvisation and Phrasing........32
獨奏曲例:Form The Heart (Solo #3)..........34
④ 第四章
第五弦上的音符 Notes on the Fifth String......35
以第五位上的音為主音的小調五聲音階 Minor Pentatonic "Fifth String Root"..........35
音階內音 Scale Tones....................................36
小調五聲音階調性 Minor Pentatonic Tones....37
自然小調音階及其調性 The Natural Minor Scale and Tones..............38
速度練習 Speed Exercises..............................40
獨奏曲例:The Heavy Side (Solo #4)...........41
⑤ 第五章
尚弦橄弦技法 Cross-String Picking Mechanics.....................42
音階的模進及音調曲線 Scale Sequencing and Contouring................43
Lick裡的音階模進 Scale Sequencing in Licks.............................46
敏利插扣位置的“節奏性主奏模式” Rhythmic Patterns.........................................46
多利安調式The Dorian Mode.........................47
十六分音符三連音 Sixteenth Notes Triplets....48
超過全音的推弦 Overbending.........................48
速度練習 Speed Exercises..............................48
獨奏曲例: Montezuma's Revenge (Solo #5).........49
⑥ 第六章
自然泛音 Natural Harmonics...........................50
悶音搖桿 The Vibrato Bar...............................52
右手點弦 Right-Hand Fretting.........................54
速度練習 Speed Exercises..............................55
獨奏曲例:Into the Spotlight (Solo #6)........56 VOLUME TWO
⑦ 第七章
第三及第四弦上的音符 Notes On The Third And Fourth Strings.........58
調式Mode.....................................................59
弗里吉安調式 Phrygian Mode.....................61
弗里吉安屬調音階 Phrygian-Dominant Scale..............................62
二十二分音符 Thirty-Second Note..............63
速度練習 Speed Exercise..............................63
獨奏曲例: Mystic Places (Solo #7)............64
⑧ 第八章
樂理:調性及相關概念 Music Theory:Keys And Related Concepts....65
調性裡的相對關係 Relationships with keys................................66
大調調性 Major Key......................................66
小調調性 Minor Key......................................67
調式的調性 Modal Key................................67
相關調式練習 Relative-Mode Exercise..........68
分散和弦 Arpeggio......................................69
強調潛藏在原調中的和弦進行及經過調式 Emphasizing The Underlying Chord Progression And Passing Modes....................71
決定在和弦進行中使用何種音階 Determining Which Scales Will Work Over A Chord Progression...........................................73
半音音階 Introducing Chromatics...................75
重組強拍位置的“節奏性主奏模式” Rhythmic Pattern.........................................76
速度練習 Speed Exercise..............................77
獨奏曲例: Drastic Measures (Solo #8)....78
⑨ 第九章
第一及第二弦上的音符 Notes On The First And Second Strings........79
關係大調與小調 Relative Major And Minor.....80
使用小調音階在大調調性中彈奏 Using Minor Scale Patterns To Solo In Major Keys....................................................81
音程 Interval..............................................82
和聲 Harmony..............................................84
獨奏曲例: New Lands (Solo #9)..............85
⑩ 第十章
和聲小調音階 Harmonic Minor Scale.........87
掃弦介紹 Introduction To Sweep Picking......89
減七和弦琶音 Diminished 7th Arpeggios............................90
速度練習 Speed Exercise..............................91
獨奏曲例: Lighting's Edge (Solo #10)......92
⑪ 第十一章
延伸的音階模式 Extended Scale Pattern........93
和它的解決方式與樂曲的終止式.................97
以雙手併出點弦的琶音和弦 Two Handed Fretting-Arpeggios..................99
速度練習 Speed Exercise............................101
獨奏曲例: Battle To Victory (Solo #11)....102
⑫ 第十二章
「巴比倫」"Babylon"...............................103
前奏Intro....................................................103
第一段主歌 Verse 1....................................104
第一段副歌 Chorus 1................................105
第二段主歌 Verse 2....................................105
第二段副歌 Chorus 2................................106
過門樂句(節奏的重音) Bridge (Rhythm Accents)..........................107
第三段主歌 Verse 3....................................107
過門至結尾的橋段(主奏吉他變奏) Bridge To Finale, Lead Break......................108
結尾(吉他獨奏) Finale (Guitar Solo)...................................109
獨奏曲例: Babylon (Solo #12)..............111
用你的音樂寫日記......................................112
樂譜指南....................................................116