滿399 超商/宅配 即可免運

The polonaise made its first appearances in stylized dance music in the late 16th century. With his own polonaises, Chopin also declared his allegiance to his native Poland. In a way, the genre had fascinated him since his childhood. His earliest printed work was a Polonaise (KK IIa no. 1 in g minor), which he had written at the age of seven. The first three posthumously published Polonaises op. 71 as well as KK IVa nos. 1–3, 5 and 8 are juvenilia from the Warsaw years. The mature works begin with the seven great Polonaises op. 26 nos. 1 and 2, op. 40 nos. 1 and 2, op. 44 and 53, and, above all, the Polonaise-Fantaisie op. 61 of 1845/46, Chopin’s last great piano work. With their mixture of festiveness and refinement, of power and suppleness, of heroic pathos and graceful charm, they all testify to the inimitable artistry of this great composer.
波蘭舞曲最早出現在16世紀晚期的程式化舞曲中。蕭邦創作的波蘭舞曲也表達了他對家鄉波蘭的忠誠。某種程度上，這種曲風自他童年起就令他著迷。他最早出版的作品是一首波蘭舞曲（G小調KK IIa第1首），創作於他七歲時。在他去世後出版的前三首波蘭舞曲作品71號以及KK IVa第1-3首、第5首和第8首都是他在華沙時期的早期習作。他的成熟作品始於七首偉大的波蘭舞曲作品26第1首和第2首、作品40第1首和第2首、作品44號和第53號，以及最重要的，創作於1845/46年的波蘭舞曲幻想曲作品61號，這是蕭邦最後一部偉大的鋼琴作品。這些作品兼具喜慶與優雅、力量與柔美、英雄般的悲愴與優雅的魅力，無不彰顯了這位偉大作曲家無與倫比的藝術才華。