產品資訊
商品介紹
Practising studies? 'Yes, of course', some say. 'No, rather not,' others say. The educational benefit of studies for the training as a pianist, however, is undisputed among experts if the study is not played mechanically but used specifically to learn to master certain technical and musical problems. The present 'great book of studies' contains everything that is needed for the technical training on the elementary and intermediate levels of piano lessons – including beautiful studies by Bertini, Burgmüller, Czerny, Duvernoy, Gurlitt, Heller, Lemoine, Schumann, Türk, and many others. The great book of studies is divided in 14 chapters, each of which dealing specifically with different technical issues. In so-called 'preparatory exercises', the player can work on the respective technical problems in a concentrated and problem-oriented manner. The subsequent studies have been chosen such that they are both technically useful and musically appealing.
練習曲？ “當然要練”，有人說。 “不，還是算了”，也有人說。然而，如果練習曲不是機械地演奏，而是專門用來學習和掌握某些技巧和音樂難題，那麼它對鋼琴演奏訓練的教育意義在專家中是毋庸置疑的。這本「練習曲大全」包含了初級和中級鋼琴課程技術訓練所需的一切——其中包括貝爾蒂尼、布格繆勒、車爾尼、杜韋爾努瓦、古爾利特、海勒、勒莫因、舒曼、圖爾克等眾多作曲家的優美練習曲。這本練習曲大全分為14章，每一章都專門探討不同的技術問題。在所謂的「預備練習」中，演奏者可以集中精力、有針對性地練習相應的技術難題。接下來的練習曲經過精心挑選，既具有技術實用性，又兼具音樂美感。
商品目錄
Playing five-fingers exercises: Preparatory exercises
L. Schytte, op. 108/1
C. Czerny, op. 599/15, op. 599/16, op. 599/18
C.A. Löschhorn, op. 191/29, op. 181/30 - Scales: Preparatory exercises
A.H. Lemoine, op. 37/1, op. 37/2
F. Beyer, op. 101/83, op. 101/65
J.B. Duvernoy, op. 176/1, op. 176/5
C. Czerny, op. 599/69
C.A. Löschhorn, op. 191/37, op. 181/38 - Alternating the hands: Preparatory exercises
R. Schumann, op. 68/14
L. Schyte, op. 108/5
C. Gurlitt, op. 201/19
C. Czerny, op. 849/29
S. Heller, op. 45/2
Chards, broken chords: Preparatory exercises
E. Pütz: Mixolydische Etüde
C.A. Löschhorn, op. 181/15, op. 181/16
J.B. Duvernoy, op. 176/4
S. Heller, op. 125/117
A.H. Lemoine, op. 37/35
C. Gurlitt: Etüde
C. Czerny, op. 139/70
C. Gurlitt, op. 201/22 - Artikulation: Preparatory exercises
F. Burgmüller, op. 100/2
C. Czerny, op. 139/24, op. 599/45
L. Schytte, op. 68/2
H. Bertini, op. 29/16
Melody in the left hand: Preparatory exercises
L. Schyte, op. 108/12
F. Burgmüller, op. 100/7, op. 100/9, op. 100/15
Repetitions: Preparatory exercises
J.B. Duvernoy, op. 176/25
L. Schytte, op. 108/10, op. 108/11
H. Bertini, op. 100/6
F. Burgmüller, op. 100/17
L. Schytte, op. 68/15
Playing in thirds, sixths, other combinations: Preparatory exercises
D.G. Türk: Etüde
J.B. Duvernoy, op. 176/24
F. Burgmüller, op. 100/4
C. Czerny, op. 481/38
F. Brugmüller, op. 109/6
S. Heller, op. 45/12 - Ornaments: Preparatory exercises
C. Czerny, op. 849/4
F. Brugmüller, op. 100/13
C.A. Löschhorn, op. 52/5
S. Heller, op. 125/13
Chromatics: Preparatory exercises
C. Czerny, op. 599/56
F. Beyer, op. 101/105
F. Burgmüller, op. 105/3
J.W. Häßler, op. 49/4
Playing in octaves: Preparatory exercises
J.W. Häßler, op. 49/5
C. Gurlitt, op. 201/16
F. Burgmüller, op. 109/12
Velocity: Preparatory exercises
M. Schoenmehl: Der Purzelbaumkönig
L. Schytte, op. 108/16, op. 108/23
C. Czerny, op. 821/1-2, op. 821/3 , op. 599/61
H. Bertini, op. 100/10
C. Czerny, op. 139/100, op. 139/42
F. Burgmüller, op. 109/10 - Appendix: Major scales in octaves with chord inversions
Chromatic scale
Harmonic minor scales in octaves with chord inversions
Major-minor cadence
